Film Title : Kaantha
Launch Date : Nov 14, 2025
123telugu.com Ranking : 2.75/5
Starring : Dulquer Salmaan, P. Samuthirakani, Bhagyashri Borse, Rana Daggubati and others
Director : Selvamani Selvaraj
Producers : Rana Daggubati, Dulquer Salmaan
Music Director : Jakes Bejoy, Jhanu Chanthar
Cinematographer : Dani Sanchez-Lopez
Editor : Llewellyn Anthony Gonsalvez
Associated Hyperlinks : Trailer
Kaantha is the newest Tamil movie that options Dulquer Salmaan, Samuthirakani, Rana Daggubati, and Bhagyashri Borse within the lead roles. Debutant filmmaker Selvamani Selvaraj directs the movie. It has additionally launched in Telugu as we speak together with the Tamil model. Learn on to see the way it turned out.
Story:
Set within the Fifties, Kaantha follows Ayya (Samuthirakani), a gifted director who turns T. Okay. Mahadevan (Dulquer Salmaan) from an peculiar man into the star often known as Nata Chakravarthy. A decade later, their relationship breaks down, but they reunite for Ayya’s dream venture titled Shaantha. Mahadevan’s ego disrupts the method when he modifies the title to Kaantha and takes management of the route. The debut heroine Raja Kumari (Bhagyashri Borse) listens solely to Ayya, which will increase the strain on the set. Conflicts develop day-after-day, and through the climax shoot, a homicide happens. Who was killed? Who’s accountable? Why did the homicide occur on the set? Are the actor or the director concerned? And what function does Phoenix (Rana Daggubati) play on this story? These questions unfold in the primary movie.
Plus Factors:
Dulquer Salmaan offers a gentle and convincing efficiency as T. Okay. Mahadevan and brings a managed depth to the function. Samuthirakani, as Ayya, maintains a constantly severe tone and his expressions work moderately nicely all through.
The emotional core of the movie lies in Bhagyashri Borse’s portrayal of Raja Kumari. She will get good scope to carry out, and her naturally expressive presence is a transparent benefit. Her scenes with Dulquer and Samuthirakani are dealt with neatly and type a few of the extra participating moments within the movie.
Rana Daggubati provides reasonable reduction along with his sarcastic supply through the movie’s severe moments. The supporting solid performs adequately.
A number of sequences, comparable to Dulquer’s mirror-smashing scene, Samuthirakani’s emotional breakdown, and Bhagyashri’s innocence-driven moments, are pretty efficient and depart some influence.
Minus Factors:
The principle downside of Kaantha is its uneven execution and outdated narrative model. Though the movie begins with the tone of a creative drama, the emotional engagement drops shortly. A number of scenes really feel repetitive and are available throughout as variations of the identical battle.
The second half turns noticeably sluggish, and the practically three-hour runtime makes the screenplay points extra obvious. Regardless that the lead actors ship competent performances, the gradual pacing overshadows a lot of their work.
Casting selections like Ravindra Vijay and Gayathrie in underdeveloped roles really feel misplaced, and Rana’s character turns into barely exaggerated at sure factors.
Because the story strikes ahead, the drama loses influence, and viewers start ready for the climax as a substitute of staying linked to the narrative. This reduces the impact of even the stronger performances.
Technical Elements:
Director Selvamani Selvaraj brings collectively a succesful solid, however the writing and route don’t make full use of their potential. A extra targeted narrative and stronger emotional layering might have given the movie better depth.
Jakes Bejoy’s background rating offers an occasional raise to key scenes. Dani Sanchez Lopez’s cinematography is clear and visually steady. Modifying by Llewellyn Anthony Gonsalves wanted to be a lot tighter, particularly for a slow-paced narrative. Jhanu Chanthar’s songs are nice however not very memorable as a result of uneven circulate of the screenplay.
Verdict:
On the entire, Kaantha is a considerably purposeful crime investigation drama. The performances by Dulquer Salmaan, Bhagyashri Borse, and Samuthirakani are first rate, and Rana Daggubati affords some well timed reduction. Nevertheless, the flat writing, uninteresting second half, repetitive scenes, and stretched pacing stop the movie from reaching its full potential. Should you watch it primarily for the performances, the movie works to some extent. Should you anticipate a good screenplay, robust character arcs, or constant engagement, the expertise would possibly really feel underwhelming. It’s acceptable so long as expectations stay low.
123telugu.com Ranking: 2.75/5
Reviewed by 123telugu Crew
